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Biometric Flesh
Project type
Film
Date
January 2021
Role
Collaborating Artist
Artists
Georgina Rowlands, Emily Roderick, Evie Price and Anna Hart
'Biometric Flesh' zooms in on the relationship between face and technology in quotidien screen-to-screen communications. As the distance between our bodies has increased, the cameras have moved closer. Microscopic cameras bring unforgiving eyes to CV Dazzle camouflage, making visible a new attempt to hide in plain sight, alongside recent thinking and facts about the body, the city and watching.
With readings from:
Bischoff, Paul. 2020. "Surveillance Camera Statistics: Which City Has The Most CCTV Cameras?". Comparotech
Brighenti, Andrea Mub. 2019. “Face and the City “. Body & Society Vol. 25(4) 76–102
Chua, Christina. 2020. "I Got Nothing To Hide". So Far
Grosz, Elizabeth, Janet Price, and Margrit Shildrick. 1995. “Bodies-Cities” Feminist Theory And The Body. New York: Routledge.
Harvey, Adam. 2010. “Style Tips for Reclaiming Privacy”. cvdazzle.com
Mbembe, Achille. 2020. "The Universal Right To Breathe". In The Moment
Preciado, Paul B. 2020. "Learning From The Virus". Artforum
Surveillance Camera Commissioner. 2020. "Facing The Camera, Good Practice And Guidance For The Police Use Of Overt Surveillance Camera Systems Incorporating Facial Recognition Technology To Locate Persons On A Watchlist, In Public Places In England & Wales.". Gov.uk.
